41 Kiss Off
After classes the next day, I walked into the physics building and started searching. The building was larger than I had realized, and none of it looked familiar. The grad student who had signed me up for the experiment had met me in the building lobby and walked me to the lab, but we had been talking the whole way and I hadn’t paid any attention to where we were going. I remember going in an elevator, but not which floor we had gotten to.
There were many offices and labs; some were locked, but I looked into a number of open ones. None of them looked the way I remembered, and I didn’t see that grad student anywhere. I searched for close to an hour, before deciding that I had to get back to my room and work. There’s no reason to worry, I assured myself. I just don’t know the building very well.
Before heading for rehearsal, I called Tina again. She was quite surprised.
“Marsh! You’re really getting into this regular calling thing! What’s happening?”
“I just wanted to talk something over with you. This kiss thing – it’s still a bit of an issue.”
“I thought you said it was ‘nothing’?”
“Yeah – that’s sort of it. Alvin doesn’t want it to be ‘nothing.’ He wants some emotion and affection to come through.”
“Makes sense.”
“You had to do some stage kissing in West Side Story, didn’t you? How did you get the right emotion?”
She laughed. “Well, I’d never kissed a boy before, so I was really nervous. But that was what Mr. Condrin said he wanted – for Maria to be eager and naïve, so it mostly just worked. Sam wanted to practice a lot, but I wouldn’t kiss him except when we were actually on stage. Maybe I should have.
“What does your director say?”
“Well, so far he’s said he wants us to kiss as though we’re very much in love. He told us to remember kissing somebody we really liked or were in love with.”
“Like Dirk?”
“No, not Dirk! I told you, that was Marsha, not me. If I tried to imagine myself kissing Dirk, I’d probably vomit. I was thinking of Vicky, and how she and I used to kiss if we saw each other in the morning after not spending the night together. It had been very comfortable for both of us – kisses which had said, ‘even though we didn’t do anything particularly romantic, you are still very important to me.’ I think that’s sort of what this is like.”
“Did you mention Vicky to me?”
“I’m pretty sure I did.”
“O… K…You’re going to imagine yourself kissing a girl?”
“I pretty much have to, don’t I?”
“I guess; it’s just a bit weird for me to think of you that way.”
I refrained from pushing the point. “I just wondered if you had any suggestions for me.”
“This isn’t exactly something I have a lot of experience with, Marsh. I don’t know if imagining yourself kissing a girl when you’re supposed to be acting as though you’re kissing a boy is going to work, but I don’t have a better idea for you.”
“OK, thanks, Teen,” I said, and we said good bye and hung up.
Rehearsal that night started much as the first one had for the first act; Jo wasn’t there, of course, but Nikki was, and she sat with me. To my surprise, so did Jared. In this act, the two of us were offstage together for a while, so we had some time to talk quietly during the rehearsal – if we could have thought of something to talk about.
The problem was, the only thing we seemed to have in common was theater; we were at an “I’m on your side” stage, but not really friends. Not yet, anyway. That didn’t stop him from trying.
“If you’re supposed to be angry with me in that bit we just did, would it help if I did something really obnoxious, first?” he offered in an undertone.
I grinned at the thought. Then I put on a fake “offended” tone and shot back, “Are you implying that I’m not a good enough actor to play angry without actually being angry?”
Of course, he didn’t know me well enough to tell when I was joking, and for a second he was taken aback. “I didn’t mean to imply–” he said, before realizing what was going on.
At this point, Alvin gave us a sharp look. I guess we were louder than I had realized. We shared a smirk at being rebuked together again, and went back to following the scene in our scripts.
Near the end of the act, we had another of those “intimacy” moments. Jack, playing Trotter, grabbed me from behind with one hand on my mouth and one on my neck, and pressed harder than I thought was necessary, although it did help me play the panic. “Miss Casewell” and “Major Metcalf” rushed onstage to save me. At that point, the blocking called for me to collapse onto the sofa (represented by two folding chairs); as they left, Metcalf called Giles on stage, where he rushed over to comfort me.
Unfortunately, as Jared said his line, “Mollie, Mollie, are you alright?” and reached for me, the speed of his entrance knocked over the chair I was sitting on and I went sprawling.
I said, “Well I was!” as I lay on the ground, laughing, joined by much of the cast.
“Keep going,” Alvin ordered, as Jared helped me up and righted the chair.
So we kept going. I said, “Oh Giles” and leaned against him, as he put his arms around me. But we were both still suppressing laughter, so any real feeling of intimacy would have been lost.
“Who would have dreamed it was Trotter?” he said, trying to see his script over my shoulder.
“He’s mad, quite mad,” I read from my own, and then looked up at him, before the two of us collapsed into laughter again. Alvin let us recover this time and had us restart from Giles’ entrance. This time it went much more smoothly, and we were actually able to get some real closeness into our last lines before Metcalf re-entered.
“You should have told me,” Jared said, reading and looking right at me.
“I wanted to forget,” I responded, seriously.
It was by far the best connection the two of us had made on stage yet, and Alvin complimented us when he gave his notes.
Once we had finished walking through the act twice, Alvin had us repeat the opening bit, which included the kiss. But before we started, he gave us additional instructions.
“You wouldn’t think I’d have to tell a couple of college students how to hug and kiss,” he said. “But what I am looking for is the sense that you two are newlyweds, very much in love, and very comfortable with one another. The kiss is a casual one. It should not look like a nervous ‘first date’ kiss or a forced ‘I don’t really want to kiss you’ kiss. I’ve asked you two to find a memory of somebody you might have kissed that way, or wanted to. Do you both have those memories in your heads?”
We nodded.
“Good. Make those memories strong in your minds, paying attention to how you held your face, your neck, and your mouth. OK? Now try that from Giles’ entrance.”
And we did. Jared said his line, “Shall I stoke the Aga?”
I turned and smiled as I said, “Done” and mentally reached for Vicky.
But Vicky had been five inches shorter than I, where Jared was as much taller, and my arms landed on his rear and his casual peck caught my nose, since my head was tilted down, not up. We both recoiled.
“Whoa!” Alvin stopped us. “What was that?”
I could feel my cheeks grow hot and I stammered, “My– my fault, sorry. I wasn’t paying attention.”
“OK, try it again. Same place.”
So again, I said, “Done” and smiled. This time I imagined Vicky standing on a ladder so that had to reach up for her; I reached for her shoulders as Jared leaned down – but his shoulders were quite a bit further apart than hers and I smacked him in the chest.
“No, no, no.” Alvin said. “Marsh, this time just turn your face up and keep your hands down; imagine that you are wiping them on your apron. Again.” He still sounded patient somehow, although I certainly wasn’t. I shouldn’t be screwing up like this in front of the entire cast. Fortunately, nobody had laughed – yet.
One more time I said, “Done” and smiled, and turned my face up to kiss Vicky. But with my eyes open to make sure we didn’t miss, I saw Vicky’s face suddenly transformed into that of a boy, and recoiled. We made lip contact only because Jared followed through. But it didn’t feel loving and casual, and apparently it didn’t look like it, either, as Alvin stopped us once again.
“OK, this isn’t working,” he said. “Jared, I believe that your Giles is in love with his wife. You’re leaning over with a fond and tender smile and it just works. Marsh… I don’t know what the Hell you’re doing. It’s as though you’re afraid of Giles, and I had hoped we had just fixed that. Whomever you’re imagining, it’s not working. If you can’t bring up a positive memory of a boy you’ve kissed, the next best thing would be for you to think of a guy you wish you could have. Can you do that?”
Obviously, that was going to be rather difficult. Yet thinking of Vicky didn’t give the impression that he was looking for. What was I supposed to do? I shrugged and nodded, indicating that I didn’t really have an answer, but that I would try.
“Look, take your time,” he said. “Think about it for Wednesday, and let’s move on.”
He had us run two other bits from the first act – the ends of both scenes – before letting us go.
“Good rehearsal,” Jared told me, making a thumbs-up sign.
“Except for the kissing,” I answered ruefully. Certainly, it was a much more comfortable rehearsal than it had been, other than that one part I just couldn’t get right.
Nikki intercepted me before I could leave. “Marsh, would you mind if I tried to help you with the kissing thing? Alvin thought that you might be more comfortable talking it over with another girl in private than in front of the whole cast.”
“Alright,” I agreed. “I really do seem to need some help with this. Where could we talk?”
“Well, it’s really too late to hang around here by ourselves. Why don’t we go to the Grill?”
The Grill was about a five-minute walk from the rehearsal room, so we started talking on the way. I wasn’t sure what she was going to be able to do. Even though Nikki and I had become close friends pretty quickly, sharing the real reason for my difficulty wasn’t something I was ready to share. But I couldn’t tell her that.
“Can you give me some idea of what kind of problem you’re having, Marsh?” Nikki asked. “Does the boy you are visualizing have some negative associations for you? Maybe you could try a different one. Are you trying different boys?”
“No,” I admitted. “I… I haven’t been able to think of a boy who… you know.”
She looked at me, curiously. “But didn’t you tell me that in your old life, you had dated constantly? Surely there must be one boy…”
“No,” I said again, a bit embarrassed. “There really isn’t…”
“But that doesn’t make sense, given all the…” she trailed off suddenly, and I could have kicked myself.